xtine is a new media artist and educator. Her projects motivate interactive audiences to understand virtual experiences as personal arenas for discovery and meaning-making. She is an abstract thinker, conceptual artist, collaborator, and writer.
This morning at 11am in room 518B Sabrina Starnaman and I are presenting the pilot project that we developed in the classroom before arriving at our ongoing project, The Laboring Self, at the National Women’s Studies Association annual conference. In “The Korl Woman & the Crowd: The Laboring Body as a Site of Digital Resilience/Resistance” we relate the invisibility of immaterial laborers to the recovery of a text that was near-invisible for a century, Rebecca Harding Davis’ Life in the Iron Mills.
This semester Dr. Sabrina Starnaman and I continued our collaboration on a project that I have been calling a “recovery through mediation.” We worked with Dr. Starnaman’s class, Rebels, Reformers (and Recovery) to create a participatory media project that further recovers the text, Life in the Iron Mills by Rebecca Harding Davis. Published in The Atlantic Monthly in 1861, Life in the Iron Mills was first recovered—a once lost text now considered “a point of origin” for social realism–by Tillie Olsen on the Feminist Press (CUNY) in 1972. Students created a Mechanical Turk HIT (job) that asked Turkers to create self portraits expressing what they would imagine the Korl woman to look like. We sent these Turker selfies to a Fivver worker who created a 3D object file that we in turn fabricated as a larger-than-life portrait of a “digital Korl being.” The students then re-inscribed the sculpture with text from Davis’ novella. We are grateful for the support the Center for Values in Medicine, Science, and Technology showed us with a grant that put this pilot project into action.
ATEC graduate student Philip Barker helped us fabricate our 21st Century, mediated version of Davis’ Korl woman. Phil made this documentary video of the project as it unfolded in Spring 2016.
xtine burrough makes participatory projects for networked publics. Her recent work recovers feminist texts through mediation and reimagines virtual crowd workers as bodies with agency.
Using social platforms, databases, search engines, blogs, and applications in combination with popular sites like Facebook, YouTube, or Mechanical Turk, she creates web communities promoting interpretation and autonomy. burrough is passionate about using digital tools to translate common experiences into personal arenas for discovery. Emergent themes in her work include culture jamming, remix, appropriation, and translation.
Burrough has written, edited, and co-edited several books including The Routledge Companion to Remix Studies (2014), Foundations of Digital Art and Design (2013), and Net Works: Case Studies in Web Art and Design (2011). She is the editor of The Visual Communication Quarterly.
With Dr. Sabrina Starnaman, burrough is a recipient of a Humanities Texas Award (2016-2017) and funding from The Puffin Foundation West Ltd., for their exhibition The Laboring Self. She received a California Humanities Award (2015-16 with Dr. Dan Sutko); a Terminal Net Art Award, a UK Big Lottery commission developed by Cornerhouse for the Abandon Normal Devices and Looping the Loop Festivals; and she is a 13th Annual (2009) Webby Award Honoree in the Weird category. Her 2005 project, Delocator.net was positively reviewed in a wide range of media outlets including newspapers, radio, television, and film. burrough has participated in international festivals promoting digital art and culture including Abandon Normal Devices (Manchester, UK), Designs on E-Learning (Helsinki), Electrofringe (AU), Futuresonic (UK), iDMAa, ISEA (Hong Kong 2016, Albuquerque 2012, and Belfast 2009), Sonar (SP) and Prog:ME (BR).
Recent projects include The Women of El Toro, A Vigil For Some Bodies, @IKnowTheseWords, On the Web, O Browser, My Browser, and multiple iterations of the Mechanical Olympics. Her website is missconceptions.net.
xtine is an associate professor in the School of Arts, Technology, and Emerging Communication at The University of Texas at Dallas, where she co-directs SP&CE (Social Practice and Community Engagement) Media Lab with Dr. Banner and Dr. Knight; and co-organizes LabSynthE, a laboratory for the creative investigation of synthetic and electronic poetry with Dr. Dufour. She is an Advisory Board Member of the Feminist Research Collective.