Computational Literature Panel at CalTech, Review by Larry Wilson


Larry Wilson wrote this generous article about the Computational Literature panel with Nick Montfort and Eran Hadas at CalTech I was honored to join early last week. The student who asked why my process is so inefficient really made my day–one of the best questions I’ve ever had to field about art-making.

Mediations on a Digital Workforce in Leonardo

An artist statement I wrote about Mediations on Digital Labor at Grand Central Art Center in Santa Ana appeared in Leonardo on October 1, 2016.

Citation, full article, and the abstract on Leonardo:
burrough, xtine. “Mediations on a Digital Workforce.” Leonardo, vol. 49, no. 5, 2016, pp. 436-7.  The abstract is on Leonardo.

The Women of El Toro in the OC Register

dan and xtine for OC Register
Assistant professor of digital media Daniel Sutko and former CSUF associate professor of communications xtine burrough created a free App called ‘The Women of El Toro’. The App shares the stories of female veterans and military wives who lived and worked at the former El Toro Marine Corp Air Station (now Orange County Great Park).

Interview with California Humanities about The Women Of El Toro


The Women of El Toro is a #CalHumanities funded project that Dan Sutko and I are working on in collaboration with the Center for Oral and Public History (COPH) at Cal State Fullerton this year. For the project we are developing a site-specific iOS app that augments The Great Park in Irvine, CA with oral histories told by female marines and wives of Marines who were stationed at El Toro in the 1940s (which happens to be on the very same ground as The Great Park). The interviews with these amazing women were created by COPH during the transition between the military base and the new park circa 2007 and have since been stored in an archive on campus at CSUF. Our app brings the important cultural history and community stories that COPH archived to the public while they might be experiencing a balloon ride, farmer’s market, children’s play area, soccer game, or even more banal infrastructure (the bathroom, the parking lot, or even just looking at the sky) in the Great Park.

The app should be available from the Apple Store this summer. For now, you can read more about the project in our interview with Cal Humanities.

Mediations on Digital Labor in the OC Weekly

THE OC WEEKLY favorably covered my exhibition in the Grand Central Arts Center Project Room in last week’s printed edition. In Jail Benches and at Santa Ana’s Grand Central Art Center Dave Barton understood the project as “a deceptively simple take on low-wage jobs.”

I captured the above video to showcase the hand-drawn aspect of the exhibition, which Barton described as “chalked out on the floor of the gallery, using the natural lines of the black utility tile to provide something akin to a giant piece of lined paper, with the worker’s feedback done in cursive or block letters.”

Seen and heard below: A time-lapse video created on the night of the opening showcases the fragile nature of the “unencrypted data” on the floor of the gallery while the Mturk workers chant in unison (my digital post-production mediation). Barton wrote, “The now ephemeral quality of work (and lack of security that comes with it) reveals itself on the installation itself. Patrons have to interact with the misery of the workers represented: If they want to read what has been written, they have to stand on other words to do so. Those words—and the work represented by those words—slowly becomes an indecipherable blur of white chalk dust after enough people have shuffled through it.”

Handmade Scroll of Jack Holding His Scroll

Halftone scroll of jack holding his scroll
Halftone Scroll of Jack Holding His Scroll.
Digital prints on vellum with Highland tape, 5.5 by 14 feet.
Right wall: Marked-up book and On The Web via touch-device.

Image tiling in Illustrator was the key to production in the making of this giant scroll of Jack holding his scroll. A happy accident: The pixelization in the halftone pattern sort of looks like a copyright symbol (appropriate seen as how the image this is based upon is appropriated from a photograph taken long ago by Gerry Nicosia) and/or a smiley face (an image that sometimes appeared on LSD stickers, I forget how I know this but it’s not by direct experience…anyhow, Jack would have probably liked that reference even though the publication of On The Road was a little ahead of the Timothy Leary era).