xtine is a new media artist and educator. Her projects motivate interactive audiences to understand virtual experiences as personal arenas for discovery and meaning-making. She is an abstract thinker, conceptual artist, collaborator, and writer.
I’m excited to be traveling to New Orleans this week for the annual Popular Culture Association/American Culture Association Conference. The Communication and Digital Culture area, led by Mark Nunes, has been a long time theoretical “home” for me and I’m looking forward to experiencing all of the C&DC sessions this Thursday in Studio 8 at the Marriott.
This year I’ll be presenting thoughts and images from my recent exhibit Please Participate using the framework presented in Francisco Ricardo’s book, The Engagement Aesthetic: Experiencing New Media Art through Critique.
Image tiling in Illustrator was the key to production in the making of this giant scroll of Jack holding his scroll. A happy accident: The pixelization in the halftone pattern sort of looks like a copyright symbol (appropriate seen as how the image this is based upon is appropriated from a photograph taken long ago by Gerry Nicosia) and/or a smiley face (an image that sometimes appeared on LSD stickers, I forget how I know this but it’s not by direct experience…anyhow, Jack would have probably liked that reference even though the publication of On The Road was a little ahead of the Timothy Leary era).
This Monday from 4-5pm stop by the Los Angeles Center for Digital Art to create your own Mechanical Olympics video. I’ll be there with a camera (probably just a flip or my iPhone camera, as it is a low-fi project) and some goofy props. All you have to do is show the camera your best Olympic-style performance. You can swim, play baseball, tennis, soccer, hockey, or make up a new sport. Anything goes.
For the duration of the exhibit I have put together a “best of” video reel featuring highlights from past Mechanical Olympics. It’s hard to believe this project has lasted as long as it has, but it’s fun to review some of the creative videos made for the 2008 and 2010 Games.
New Media Festival Los Angeles @ LACDA
102 W. Fifth Street
Los Angeles, CA 90013
Workshop: 4-5pm on Monday, 7/9/12
Opening: 6-10pm on Thursday 7/12/12
The Mechanical Games (2012 Edition) finalé took place in MediaCity, UK at the Looping the Loop celebration at the Quays. Voting concluded on May 18th and the winners were announced to start the London 2012 Games creative cultural festivities in the Great Britain Northwest on Saturday, May 19th. I was certain the big hula hoop was going to be a distraction for our awards ceremony, but hula participants were kind enough to walk over to our area in support of the Mechanical Games. Some of the participant actors were kind enough to carry out the awards ceremony. The video of their performance follows.
This year I am a recipient of a TERMINAL net art commission that I used to create a series of poem interpretations for the browser.
Three classic works of literature from the 20th Century (“O Captain, My Captain”, “On the Road”, and “Waiting for You at the Mystery Spot”) are remade for the browser using the language of the web (HTML5 and CSS) as the primary agent of transformation. In the translated poems, I am not interested in writing the foundational text for the poetic experience. Instead, I wanted to design a web user’s visual experience of the works. The works adhere to the confining graphic formatting rules of current web standards, and include text, hypertext, images, videos, and audio.
On Tuesday July 26 at 7pm Dorkbot presents the launch of Net Works: Case Studies in Web Art and Design edited by xtine burrough. xtine will be speaking alongside researcher, artist and writer Jonah Brucker-Cohen as well as the Canadian digital artist Jeremy Rotsztain. Machine Project is located in Echo Park. This is an open/free event.
xtine burrough makes participatory projects for networked publics. Her recent work recovers feminist texts through mediation and reimagines virtual crowd workers as bodies with agency.
Using social platforms, databases, search engines, blogs, and applications in combination with popular sites like Facebook, YouTube, or Mechanical Turk, she creates web communities promoting interpretation and autonomy. burrough is passionate about using digital tools to translate common experiences into personal arenas for discovery. Emergent themes in her work include culture jamming, remix, appropriation, and translation.
Burrough has written, edited, and co-edited several books including The Routledge Companion to Remix Studies (2014), Foundations of Digital Art and Design (2013), and Net Works: Case Studies in Web Art and Design (2011). She is the editor of The Visual Communication Quarterly.
With Dr. Sabrina Starnaman, burrough is a recipient of a Humanities Texas Award (2016-2017) and funding from The Puffin Foundation West Ltd., for their exhibition The Laboring Self. She received a California Humanities Award (2015-16 with Dr. Dan Sutko); a Terminal Net Art Award, a UK Big Lottery commission developed by Cornerhouse for the Abandon Normal Devices and Looping the Loop Festivals; and she is a 13th Annual (2009) Webby Award Honoree in the Weird category. Her 2005 project, Delocator.net was positively reviewed in a wide range of media outlets including newspapers, radio, television, and film. burrough has participated in international festivals promoting digital art and culture including Abandon Normal Devices (Manchester, UK), Designs on E-Learning (Helsinki), Electrofringe (AU), Futuresonic (UK), iDMAa, ISEA (Hong Kong 2016, Albuquerque 2012, and Belfast 2009), Sonar (SP) and Prog:ME (BR).
Recent projects include The Women of El Toro, A Vigil For Some Bodies, @IKnowTheseWords, On the Web, O Browser, My Browser, and multiple iterations of the Mechanical Olympics. Her website is missconceptions.net.
xtine is an associate professor in the School of Arts, Technology, and Emerging Communication at The University of Texas at Dallas, where she co-directs SP&CE (Social Practice and Community Engagement) Media Lab with Dr. Banner and Dr. Knight; and co-organizes LabSynthE, a laboratory for the creative investigation of synthetic and electronic poetry with Dr. Dufour. She is an Advisory Board Member of the Feminist Research Collective.