xtine is a new media artist and educator. Her projects motivate interactive audiences to understand virtual experiences as personal arenas for discovery and meaning-making. She is an abstract thinker, conceptual artist, collaborator, and writer.
This year I am a recipient of a TERMINAL net art commission that I used to create a series of poem interpretations for the browser.
Three classic works of literature from the 20th Century (“O Captain, My Captain”, “On the Road”, and “Waiting for You at the Mystery Spot”) are remade for the browser using the language of the web (HTML5 and CSS) as the primary agent of transformation. In the translated poems, I am not interested in writing the foundational text for the poetic experience. Instead, I wanted to design a web user’s visual experience of the works. The works adhere to the confining graphic formatting rules of current web standards, and include text, hypertext, images, videos, and audio.
The Mechanical Games ended with an Olympic-meets-the-Oscars style awards ceremony in Manchester, England, at Cornerhouse last Sunday. Here are some of my favorite photos from the event. Super huge thank you to Debbie Chan for organizing so many project details. The event was a success, and meeting the participants was even more fun and gratifying than I expected it to be.
Voting begins next month at the Mechanical Games website. Part of the Abandon Normal Devices (AND) Festival, this version of the Games is produced by myself with a lot of help from Cornerhouse. New to the Games: a real, live award ceremony, to take place on October 3rd from noon – 2 at Cornerhouse, Manchester, UK. Even if you can’t make it to the awards ceremony, you can vote on the gold medalists from September 1 – 30th.
To celebrate Abandon Normal Devices festival in Manchester (1–7 Oct 2010), Cornerhouse are pleased to present this interactive project by media artist xtine burrough that will set up camp in Cornerhouse galleries on Saturday 24 July. The project created as an alternative performance and gaming event, seeks to inspire and re-ignite our imagination and interest in sport through filmmaking, as well as creating an online and crowd sourced version of the major public sporting events that some of us only see televised. View the Mechanical Games Press Release.
xtine burrough makes participatory projects for networked publics. Her recent work recovers feminist texts through mediation and reimagines virtual crowd workers as bodies with agency.
Using social platforms, databases, search engines, blogs, and applications in combination with popular sites like Facebook, YouTube, or Mechanical Turk, she creates web communities promoting interpretation and autonomy. burrough is passionate about using digital tools to translate common experiences into personal arenas for discovery. Emergent themes in her work include culture jamming, remix, appropriation, and translation.
Burrough has written, edited, and co-edited several books including The Routledge Companion to Remix Studies (2014), Foundations of Digital Art and Design (2013), and Net Works: Case Studies in Web Art and Design (2011). She is the editor of The Visual Communication Quarterly.
With Dr. Sabrina Starnaman, burrough is a recipient of a Humanities Texas Award (2016-2017) and funding from The Puffin Foundation West Ltd., for their exhibition The Laboring Self. She received a California Humanities Award (2015-16 with Dr. Dan Sutko); a Terminal Net Art Award, a UK Big Lottery commission developed by Cornerhouse for the Abandon Normal Devices and Looping the Loop Festivals; and she is a 13th Annual (2009) Webby Award Honoree in the Weird category. Her 2005 project, Delocator.net was positively reviewed in a wide range of media outlets including newspapers, radio, television, and film. burrough has participated in international festivals promoting digital art and culture including Abandon Normal Devices (Manchester, UK), Designs on E-Learning (Helsinki), Electrofringe (AU), Futuresonic (UK), iDMAa, ISEA (Hong Kong 2016, Albuquerque 2012, and Belfast 2009), Sonar (SP) and Prog:ME (BR).
Recent projects include The Women of El Toro, A Vigil For Some Bodies, @IKnowTheseWords, On the Web, O Browser, My Browser, and multiple iterations of the Mechanical Olympics. Her website is missconceptions.net.
xtine is an associate professor in the School of Arts, Technology, and Emerging Communication at The University of Texas at Dallas, where she co-directs SP&CE (Social Practice and Community Engagement) Media Lab with Dr. Banner and Dr. Knight; and co-organizes LabSynthE, a laboratory for the creative investigation of synthetic and electronic poetry with Dr. Dufour. She is an Advisory Board Member of the Feminist Research Collective.